PDF Download Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft & Mary Shelley, by Charlotte Gordon

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PDF Download Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft & Mary Shelley, by Charlotte Gordon

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Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft & Mary Shelley, by Charlotte Gordon

Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft & Mary Shelley, by Charlotte Gordon


Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft & Mary Shelley, by Charlotte Gordon


PDF Download Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft & Mary Shelley, by Charlotte Gordon

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Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft & Mary Shelley, by Charlotte Gordon

Review

“[An] impassioned dual biography . . . [Charlotte] Gordon brings a rousing zeal to her pages. Both Wollstonecraft and Shelley have been the subject of previous biographies—the author builds her account on a tremendous variety of sources and scholarship—but Gordon, alternating between the two chapter by chapter, binds their lives into a fascinating whole. She shows, in vivid detail, how mother influenced daughter, and how the daughter’s struggles mirrored the mother’s.”—The Boston Globe“Written with the galloping pace of a skilled novel peopled with fascinating characters . . . these women live on in its pages. . . . Thorough and irresistible.”—The Seattle Times “Gordon unfolds the two stories in tandem, deftly balancing the gossipy aspects of her subjects’ lives with their serious intellectual concerns.”—The New Yorker“Thoughtful, intelligent and deeply felt . . . Gordon has written a book about two women, a mother and her daughter, who changed not only the way we think, but the way we are. . . . Skillfully entwining the story of two generations that spanned a century, Gordon’s Romantic Outlaws enables readers to compare the different ways in which these two remarkable women confronted their tragically difficult destinies.”—The Sunday Times (U.K.) “[Romantic Outlaws] is an innovative dual biography that foregrounds the writing of two women who disregarded the moral codes of their eras and shaped their own destinies. Gordon’s parallel mapping of their lives reveals fascinating similarities in the ways writing sustained, and sometimes saved, them both.”—Financial Times “A most welcome deeper take on the women who scandalized Victorian England—and whose stories continue to resonate today.”—Vogue“By linking these two lives, Ms. Gordon’s biography stretches over a fascinating era in history, characterized by great flux in political and cultural thinking and involving some of the main figures in English literary and philosophical history.”—The Wall Street Journal  “The relationship between Mary Shelley and the mother she never knew . . . is explored with remarkable insight and perspicacity in this exhilarating dual biography. . . . Gordon’s perceptive reading of both women’s published works illuminates their core ideas [and] identifies the emotional fault lines caused by the drama in their lives. Her lucid prose and multifaceted appraisal of Wollstonecraft, Shelley, and their times make warm-blooded and fully fleshed-out people of writers who exist for readers today only as the literary works they left behind.”—Publishers Weekly (starred review) “Gordon infuses literary history with electrifying discoveries in this symbiotic portrait of radical mother-daughter writers who indelibly changed society and the arts. . . . The first to fully investigate the life-determining influence Wollstonecraft’s feminist writings had on Mary Shelley, Gordon chronicles their harsh, tragic, and courageous lives in alternating chapters that are as emotionally incisive as they are finely particularized in their astute renderings of tumultuous settings and dire predicaments.”—Booklist (starred review)

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About the Author

Charlotte Gordon is the author of Mistress Bradstreet: The Untold Life of America’s First Poet and The Woman Who Named God: Abraham’s Dilemma and the Birth of Three Faiths. She has also published two books of poetry, When the Grateful Dead Came to St. Louis and Two Girls on a Raft. She is an associate professor of English at Endicott College and lives in Gloucester, Massachusetts.From the Hardcover edition.

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Product details

Paperback: 672 pages

Publisher: Random House Trade Paperbacks; Reprint edition (February 2, 2016)

Language: English

ISBN-10: 0812980476

ISBN-13: 978-0812980479

Product Dimensions:

5.2 x 1.4 x 8 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

134 customer reviews

Amazon Best Sellers Rank:

#40,743 in Books (See Top 100 in Books)

A lot more information and character examination of two immensely influential women, outliers of their time, precursors of modern women. Also a lot of information about the Romantic poets, artists writers and philosophers they knew and lived with, and the historical eras they lived through, which gives a lot more clear and un romanticized versions of their characters and actions, while still giving much about their contributions to art and society.I found this to be an actual page turner of a book, even knowing much about their lives already. Extremely well written. Liked the structure of parallel chapters, alternating between mother and daughter over their separate generations, relationships and cultural history. I have already sent this book to a friend who loved it and would recommend it to anyone with an interest in these women, these time periods, and the history of arts and social philosophy in the West.

This dual biography of Mary Wollstonecraft and her daughter Mary Shelley utterly enthralled me. Both were talented, groundbreaking, independent thinking women, they each had drama and difficulties in their lives worthy of a Brontë novel, and between them they knew intimately some of the most interesting people involved with Romantic literature and radical political thought from the French Revolution through to the mid-Victorian years.Mary Wollstonecraft Godwin was born into a poor family with a very difficult, sometimes violent father, but Wollstonecraft was at least as spirited as he was and she struggled to surmount the boundaries gender and poverty put on her life in every way she could, eventually becoming a leading progressive thinker and the author of several influential books, including A Vindication of the Rights of Women. She loved passionately but refused the traditional roles women were expected to embrace at the time, so she married the political philosopher William Godwin late in life and only reluctantly. Wollstonecraft died days after giving birth to the daughter named for her, so it was through her extensive writings that Mary Godwin Shelley came to esteem, cherish, and love her mother.While still a teenager Mary Shelley began writing Frankenstein, a social commentary many consider the first science fiction novel, while holed up in Switzerland with a crowd that included Lord Byron. Like her parents she rejected social conventions about love, life, and marriage and at sixteen she scandalized her more staid contemporaries by running away with the already married poet Percy Bysshe Shelley, though that particular rebellion she came to regret because it hurt so many people. Mary longed for and looked up to her mother, using her mother's writings as guideposts for her own life, and that reverence was shared by her husband, her stepsister, Lord Byron, and many of Mary's other peers.Romantic Outlaws is written in a back and forth chronology, with chapters about the two women alternating, so the section about Wollstonecraft's early life is followed by one about her daughter at a similar age. I thought this might be confusing, especially since they're both named Mary, but their circumstances were different enough that it was usually simple to keep track of who I was reading about, and structuring the book that way makes it easy to compare the lives of the women, which adds even more interest to their stories.The book is well researched and documented with notes, but far from being a dry recitation of facts I found it quite compelling. Many of the chapters even end in what might almost be called cliffhangers, a technique that definitely kept me highly engaged.Before reading this biography both Marys were more symbols to me than women with families, lovers, personal trials and private doubts, but Charlotte Gordon illuminates the hearts and minds of her subjects and succeeds at bringing the two women and the era they lived in to life. William Godwin, Percy Shelley, and Lord Byron are among the people who are also well rendered, and many other fascinating people spend time on the book's pages, including Coleridge, Keats, and John and Abigail Adams.Saying it's engrossing is almost an understatement--I don't remember ever finding a biography so hard to put down. I read an advanced review ebook copy of this book supplied by the publisher through NetGalley, but I've already preordered my own copy hardback edition of Romantic Outlaws.

This contrast/comparison of mother/daughter Wollstonecraft/Shelley is compelling. The book would have benefitted from excising repetitions of the tangential characters, such as Godwin, or the Williams’. We didn’t need to be convinced several times that either Trelawny or Jane Williams slandered Mary’s actual talents and character in order to overstate their own importance in the lives of P. B. Shelley or Byron. The sharp focus on Mary S is compelling enough in Gordon’s analysis and factual material, and this became cluttered with repetition on Fuseli, e.g., Trelawny, Mary-Jane, and Claire. Gordon set herself a gargantuan task (ironically, like Mary S organizing Percy’s papers and biography), tell us less about the incidental figures. There is one more thing to note: we needed to be reminded at least twice that Mary’s terror about Percy’s obsession with sailing was rooted in knowing he had never learned how to swim. As his fatal run back home across the lake nears, this crucial detail is not mentioned at all. Instead, we spend too much time with the repeating of Mary’s doomsday pre-sentiments.

Charlotte Gordon in this book of the mother-daughter Marys is quite fascinating because Gordon adds a setting -- France at the start of the Revolution in the 1790s -- and adds personal detail to these womens' lives. I had heard about Wollstonecraft and Shelley from my Women's Literature class, I knew that Wollstonecraft had an abusive father, but I knew little about how these women became the fierce feminists that they are known for. In this double biography, Wollstonecraft comes off as a bit of an obstinate hothead, who had ostracized herself for her rather liberal beliefs about the equal treatment of women. I don't doubt she enjoyed motherhood, but Gordon shows how Wollstonecraft was frustrated with the injustices shown women, even educated women.I knew less about Shelley other than that she was Wollstonecraft's daughter and the author of Frankenstein.Their parallels are obvious: both had children out of wedlock, both lost loved ones at an early age. Both women were forthright in their demands for justice for women.Just as much as this is a double biography, though, this is also a study of these women in the times they lived in, or even of the men they associated with. As much as this book is a story of the two Marys, it is also a story of the men who were close to them, specifically William Godwin, Wollstonecraft's husband who wrote his wife's biography that backfired; society was not ready to read about a sexually liberal woman.This book seems at times excessively long, but it's deeply researched and makes for a great addition to anyone who enjoys the literary work of either woman.

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