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Ebook Download Cafe Europa: Life After Communism

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Ebook Download Cafe Europa: Life After Communism

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Cafe Europa: Life After Communism

Cafe Europa: Life After Communism


Cafe Europa: Life After Communism


Ebook Download Cafe Europa: Life After Communism

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Cafe Europa: Life After Communism

Review

"Insightful... This book not only helps to illuminate the political and social problems facing much of Eastern Europe, but also sheds new light on the daily life of its residents, their emotional habits, fears and dreams." —The New York Times"Drakulic is a perceptive and amusing social critic, with a wonderful eye for detail." —The Washington Post"Profound and often bitingly funny... you'll never think about capitalism, modern history, or your perfect, white, American teeth in the same way again." —Elle

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From the Back Cover

Today in Eastern Europe the architectural work of revolution is complete: the old order has been replaced by various forms of free-market economy and de jure democracy. But as Slavenka Drakulic observes, "in everyday life, the revolution consists much more of the small things - of sounds, looks and images. In this brilliant work of political reportage filtered through her own experience, we see that Europe remains a divided continent. In the place of the fallen Berlin Wall, there is a chasm between East and West, consisting of the different way people continue to live and understand the world. Are these differences a communist legacy, or do they run even deeper? What divides us today? To say simply that it is the understanding of the past, or a different concept of time, is not enough. But a visitor to this part of the world will soon discover that the Eastern Europeans live in another time zone. They live in the twentieth century, but at the same time they inhabit a past full of myths and fairy tales, of blood and national belonging.

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Product details

Paperback: 224 pages

Publisher: Penguin Books; 1.2.1999 edition (February 1, 1999)

Language: English

ISBN-10: 0140277722

ISBN-13: 978-0140277722

Product Dimensions:

5.1 x 0.6 x 7.8 inches

Shipping Weight: 6.4 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

31 customer reviews

Amazon Best Sellers Rank:

#85,909 in Books (See Top 100 in Books)

This book is about the 1990's in Eastern Europe, especially in the Balkans. It seems slightly outdated, but it is so well written that it definitely kept me going. It reads very fast. The book gets better and better as you go on. Some of the very pessimistic prophecies of the author were wrong, but many of her observations and thoughts seem to be very accurate and straight to the point. The relationship with her own country is very troubled and most of the Non-Croat readers, without any deeper insight into regional politics, will not be able to fully understand her point of view. Whether she is right or wrong, she always writes well. Most of the time she is very pessimistic. The book is actually completely soaked in sadness. There is in it no sign of excitement about freedom, democracy or free market economy...Instead, there is a strong conviction that the peoples of Eastern Europe are not mature enough to benefit from and build on any of these. I personally don't agree; the results of the systemic changes in the region have been mixed, with some extremely successful and some extremely disappointing and troubling cases. In fact, the 1990's were the last decade when the region could be still discussed as one item. Today, these are all very different countries.

Drakulic delivers another series of short essays, in the style of her earlier "How We Survived Communism". In "Café Europa", the reader is carried from Croatia across western Europe during the few short years since Croatia emerged from war as an independent state, caught somewhere between its Balkan history and its European ambitions. She ruminates on subjects as far afield as her distaste for the word "we" because of its communist overtones, which leads to the verdict that the western concept of "I", of self-reliance and modernity in a civil state, is a notion still to be embraced in eastern Europe. It is for precisely the same reason that she admires Americans their fetish for perfect teeth, because they represent self-respect and independence from shoddy state-sponsored dental care.Many of the essays in the book deal with the peculiar talent in eastern Europe for hiding and forgetting the past, thereby evading responsibility and missing the opportunity to learn from it. This flair for forgetfulness causes Drakulic's mother to fear for the sanctity of her husband's grave, marked by a communist star vulnerable to those who would destroy symbols of forty years of communism. It is this same talent that allows fascist "Ustasha" symbols from the 1940s to be revived in the 1990s under the guise of nationalism. The same phenomenon that impels each generation of politicians to rename streets and plazas in order to avoid any public recognition of historical figures whose views place them, at least temporarily, on the wrong side of today's political fences. It is this same failure of history that forces a Croatian journalist to mince words and ask facile questions during an exclusive interview with Dinko Sakic, the notorious concentration camp commander.Drakulic is a bit exasperated when, on a visit to Israel, she is barraged with questions about Croatia's fascist role during World War II. "To grow up under communism means to live forever in the present. Once the final social order had been established, there was no need to look backwards - or forwards, for that matter.... Perhaps this is the reason why we are now, with this recent war, sentenced to live in the past. Sometimes I ask myself whether this is the punishment for our lack of interest in history, for our fear, silence and irresponsibility towards ourselves. For our ingnorance." She realizes that Croatia as a society has failed to examine and integrate the lessons of its fascist period, and this failure, this willful forgetfulness, is itself a type of evil complicity perpetually spawning new crises, including the high-tension ethnic conflicts that yielded the 1991-1995 wars.The only jarring note is the essay titled "Why I Never Visited Moscow", in which Drakulic bemoans the fact that she has been categorized as an eastern European writer. This seems a bit hypocritical given that all of "Café Europa" including the very cover blurbs, much like her previous books, is premised on the fact that she is a particularly talented eastern European writer and astute social critic who has interesting and insightful things to say about the region. Perhaps Drakulic, who has won awards, fame, and money with her admirable accounts of eastern Europe, is being a bit self-righteous when she complains about being viewed as an eastern European writer.

This is a good book, and one worth reading. It's not a history book nor a work of political philosophy. The analysis isn't rigrously done. I don't say these things as criticisms, but rather to point out what sort of book it is. It's a book of essays that provide a particular picture of what life was like in the early 90's in post-communist Eastern and Central Europe. Many times these pictures are insightful and can help throw light on a situaiton. They can help provide that "ah-ha!" moment that is sometimes lacking from a more historical or analytic account. So, it fills a good roll that way, but you should not expect it to be something it's not. My only other criticism is that sometimes it got a bit too close to the "why are we eastern europeans so dumb?" mode for my taste. But, it's an enjoyable book that would be useful for anyone with an interest in post-communist eastern europe. For those who want a deeper view of how Eastern Europe got to be how it was when the Soviet Union fell, I'd recommend reading this book together with parts of Alec Nove's terrific _The Economics of Feasible Socialism_.

This book may be a nineties look at how things will turn out in Europe, so some may say it's out of date, but its perspective on history makes it that much more valid. Drakulic's experience doesn't change, what happened to the East doesn't change. This book is a brilliant, detail-oriented look at how Europe was before and after the Soviet Union, and I want to read everything else she's written. Love it.

Slavenka Drakulic is both a skilled writer and a capable interpreter of the human condition. Cafe Europa is not a standard history text; rather it is a collection of related articles that reveal the attitudes, perceptions, and behaviors of individuals who have lived in both the communist world as well as the post-communist period. Drakulic is a great travel companion with a keen feel for the people that she writes about. I approached the book expecting a useful social commentary and found it to be both enlightening and difficult to put down. Anyone who wants to truly understand this part of the world needs to read this one!

Excellent book, Slavenka Drakulic is very perceptive and understands Balkan mentality better than anybody. I really enjoyed reading this book, and other books from Drakulic as well. Sometimes, it seems like Drakulic is balancing between two worlds-one of reality and the other of fantasy. Very good reading and it will give you an insight into the minds of people living in parts of Southeast Europe.

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Product details

File Size: 4134 KB

Print Length: 32 pages

Publisher: GULLANE THOMAS LLC; UK ed. edition (August 31, 2017)

Publication Date: August 31, 2017

Language: English

ASIN: B0721NLK7W

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Amazon Best Sellers Rank:

#171,943 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

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Free Download My Oxford Year: A Novel

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Free Download My Oxford Year: A Novel

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My Oxford Year: A Novel

My Oxford Year: A Novel


My Oxford Year: A Novel


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My Oxford Year: A Novel

Product details

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Audible Audiobook

Listening Length: 9 hours and 58 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: HarperAudio

Audible.com Release Date: April 24, 2018

Whispersync for Voice: Ready

Language: English, English

ASIN: B079SPLR83

Amazon Best Sellers Rank:

Ultimately disappointing, and I am partly responsible for this unfulfilling read.I'd heard the author on a podcast (Wicked Wallflowers Club) and the entire time she was speaking thought she sounded remarkably pompous, talking about how she was a Rhodes finalist (but you weren't selected so ... sounds embarrassing to hear people, years after the fact, talk about how close they came to something), how she'd attended Oxford through her American uni and was a "real Oxonian," not "granted privileges" like actual Rhodes scholars (so then why would she apply for the scholarship if she'd already an "authentic" experience?), how she is an important actress and is "really good friends" with X, Y, Z. I'm really good friends with a woman named Jessica who oversees providing healthy, fulfilling meals to the hungry in our county, so what's your point? And the author is an important actress who pays her bills by narrating books -- the way she kept stressing "actress" felt as if she were denigrating the profession which puts a roof over her head.So as I wrote, totally my fault for purchasing (and reading) the book anyway, but the hosts of the podcast were keen on it, plus the author does really like tea (me too), and I liked the way they all (hosts and author) said it's not a romance book, it's a woman's book. Now I love romance and I love chick-lit and I love women's fiction (which empowers women, kinda following the Bechdel Test, if you will)."My Oxford Year" is a flat-out romance. There is ZERO female empowerment to be found in this story.And that's fine, but this is not a woman's book. This is not a book where, in the opening scene, our protagonist, Ella, is offered a job advising a widowed candidate on education in the presidential primary and where we actually see Ella doing *any* work, providing *any* knowledge about American education (except that the Arts are important -- yep, got it). If Ella loves English lit so much, why do we only know about the one paper she writes, and that's in her first week of classes? We learn nothing else about her true life at and in Oxford. Sure, we learn she makes three friends, but there is no deep dive into those friendships, at all. Instead it's a romance with one of her teachers, Jamie, where they agree to a purely sexual relationship, not an intimate relationship. Granted, they do ultimately develop an emotional connection and it turns out ***SPOILER*** that he is terminally ill, as was his brother (who earlier succumbed to same disease), and Ella decides to live with Jamie while he's undergoing and dealing with the after effects of treatment. So we know about Jamie's living on his bathroom floor and puking,***END OF SPOILER*** but not about Ella's, the WOMAN, classes, classwork, work for the US presidential candidate hopeful.At the very end of the book Ella does decide to do what she wants to do, not what society or academia says one ought to. Listen, that's great and all, but what Ella chooses to do is still in service of her boyfriend, so I'm not sure how much of a woman's book this is. I think in many ways that is truth, that many of us do subjugate our own wishes / needs in service of those around us (spouse, children, parents, boss), but I'm in my 40s, not a Bright Young Thing in my early-20s who was chosen a Rhodes Scholar AND was handpicked to be the Education Adviser to someone running in the presidential primaries. I mean -- that is some young person! Must be incredibly bright, insightful, observant. I'll read a book about her! But that's not Ella. At all.Would I recommend this book? Not on your life. Is it the worst book I've ever read? Not even close. Is it a keeper? Nope.

I really wanted to love this book. I’m an Anglophile and nearly spent a summer at Oxford as a teen before mononucleosis derailed that plan. The fun, flirty first half of this book is delightful. The sexual tension between the central couple is exquisite. I loved all of the poetry references. Then the book takes a tragic turn. I shouldn’t have been so surprised with names like Nicholas Sparks and Jojo Moyes name-checked in the jacket blurb, but I was disappointed nonetheless. However, the real problem is that once the tragedy is revealed the story just dragggggs. All of the romantic tension is dropped like a hot potato. The author literally describes a cute bathtub scene between the central couple like it’s an afterthought, a throwaway, because apparently it’s now more important to agonize over whether the heroine should stay or go. How about showing the reader that these two people are still attracted to each other, and aren’t just running on the fumes of the great sex they were having before the big reveal? The assumption that sex and chemo can’t coexist is boring, short-sighted, and ultimately disrespectful to those who are trying to negotiate love and illness in real life. Needless to say, I will only recommend this book with a giant caveat.

I do not like sneaky books about cancer. I get invested in the characters and the bomb drops. I lived it and do NOT want to read about it.

I don’t usually write reviews but I loved this book. I loved the story and every person you met along the way. It had me laughing and crying and grinning like a mad person. I texted my friend before I was even done telling her she had to read it.There are some interesting characters and of course some romance. A bit of adventure and some plot twists I wasn’t expecting. Which is probably part of why I liked it so much. Most books, especially ones romantically inclined tend to be predictable. And at the end of it all, I think there are some pretty good lessons as well.

A young fast tracker from Ohio, who has fantasized since childhood about attending Oxford University, becomes a Rhodes Scholar and realizes her dream. But what transpires in just several months is so much more than a college experience. Ella, at 24, has been hired to play a pivotal role in the U.S. Presidential campaign back home while adjusting to Oxford culture, a new relationship, developing friendships and a potential life-altering situation. Author Julia Whalen is so adept at creating identifiable experiences while providing a dreamlike travelogue atmosphere that My Oxford Year should appeal to female AND male readers. We can all imagine expanding our horizons; enjoying a beautifully written story in the process is icing on the cake.

What a marvelously written, sparklingly intelligent story. I was totally immersed as ‘Ella from Ohio’ spends her Rhodes scholar term at Oxford, befriended by a great group of fascinating graduate students. Balancing a remote consultancy with an up and coming Presidential candidate with her Oxonian studies, she finds herself taught by Jamie Davenport, himself a Grad Student (PhD candidate). His presumed pomposity from their initial meeting transforms unexpectedly, and their relationship blossoms despite some seriously dark circumstances. Romantic, dramatic, intense and fascinating.

This book was a most pleasant surprise. It is more than just a great romance, it is a story of choosing to live the life you were meant to live, not the one you think you should live. It is about the ties that bind and can break a family. It is about loving fiercely even when everything in you wants to run the opposite direction. It is about finding out who you really are and finding your true calling. I loved this book.

Cringe worthy. A series of cliches that the author thought were a story. Not a believable moment in the book. The (2) stars are for some of the supporting characters, who were far more engaging than Ella and Jamie.

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