Free Download Happy Valentine's Day, Mouse! (If You Give...)

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Happy Valentine's Day, Mouse! (If You Give...)


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Happy Valentine's Day, Mouse! (If You Give...)

From the Back Cover

Join Mouse from If You Give a Mouse a Cookie as he celebrates Valentine’s Day with all the friends he loves.

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About the Author

Laura Numeroff is the New York Times bestselling author of many books for young readers in addition to the If You Give…series, including The Chicken Sisters and Laura Numeroff’s 10-Step Guide to Living with Your Monster. She lives in Los Angeles, California, and is involved with several children’s charities, including First Book. You can visit her online at www.lauranumeroff.com.

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Product details

Lexile Measure: AD430L (What's this?)

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Series: If You Give...

Board book: 24 pages

Publisher: Balzer + Bray; Brdbk edition (November 24, 2009)

Language: English

ISBN-10: 9780061804328

ISBN-13: 978-0061804328

ASIN: 0061804320

Product Dimensions:

6.5 x 0.5 x 6.2 inches

Shipping Weight: 9.6 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

280 customer reviews

Amazon Best Sellers Rank:

#9,908 in Books (See Top 100 in Books)

We love Laura Numeroff's Books based on the (If You Give a Mouse a Cookie). This book was no disappointment. Various characters from the collection of her books are included in this story. A great simple read board book for young children.

....That these books are so popular- whether it's an adult reading it to their child or the child is old enough to read it themselves- the "story" is entertaining, humorous and the illustrations are cute. From "When You Give A Mouse A Cookie"- ( one of Ms Numeroff's first publications that we started with) to the many numerous other books she has written and which now include Holiday themes-- You can't go wrong. This "Valentine" one is for my adult "child" to add to the collection. I now have to buy more for my young grandkids cause that "adult" child refuses to give them up! Oh, yeah- the books have lessons in "sharing" too!

Perfect book for more then just chocolate..kids get enough candy

We rarely buy holiday-themed books, but our 3 year old was struggling to understand Valentine's Day and this was an adorable way to explain it. She still reads it, months later. And it ties nicely with the Give a Mouse a Cookie/Pig a Pancake books. Good size, adorable content, run and easy board book.

My son really enjoys this book! He loves to find the mouse on the page. He was very excited to see the mouse, as he loves the Halloween book, It's Pumpkin Day, Mouse! Cute holiday book that a toddler will love!

Cute pictures, but I thought it would follow the normal story line of If You Give a Mouse a Cookie. It does not.

I work with preschoolers and wanted a simple book that I could use for Valentine's day. This is it! It is simple and not too wordy….their attentions are short :) I like that the mouse makes valentines for his animal friends. That made it simple for me to find some toy animals to use with the story to make it even more interesting for the children. Of course, we followed up the story with some making of our own Valentines. The book arrived quickly and was in 'new' condition, as described.

If You Give A Mouse A Cookie is one of my favorite childhood books, and this is a super cute companion book to follow it! I purchased this for my daughter for her first Valentine’s Day and look forward to reading it to her this week.

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Download PDF Believing Is Seeing: Observations on the Mysteries of Photography, by Errol Morris

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Download PDF Believing Is Seeing: Observations on the Mysteries of Photography, by Errol Morris

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Believing Is Seeing: Observations on the Mysteries of Photography, by Errol Morris

Believing Is Seeing: Observations on the Mysteries of Photography, by Errol Morris


Believing Is Seeing: Observations on the Mysteries of Photography, by Errol Morris


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Believing Is Seeing: Observations on the Mysteries of Photography, by Errol Morris

Review

"Morris brings an insatiable and contagious curiosity throughout to the convolutions that arise between art and truth telling." -Publishers Weekly (starred review) "...Morris's book feels less like traditional photography criticism than like the novels of W. G. Sebald, which are similarly obsessed with truth, memory and war. We get odd, absorbing pictures of Mayan ruins, of Picasso and his mistress, of the high heels worn by Morris's tour guide in Crimea: shanks, shoes, a shadow (presumably the photographer's) falling across the once boot-trodden road. Like extra problem sets in a textbook, these photos offer us additional opportunities to practice the art of looking, while simultaneously multiplying the scale of, as Morris's subtitle puts it, 'the mysteries of photography.'" -New York Times Book Review "Believing Is Seeing is an important book: It reminds us, at a time when it is remarkably easy to manipulate images and we are daily inundated with more and more of them, to ask: 'What, after all, are we looking at?'" -Wall Street Journal "[A]n elegantly conceived and ingeniously constructed work of cultural psycho-anthropology wrapped around a warning about the dangers of drawing inferences about the motives of photographers based on the split-second snapshots of life that they present to us. It's also a cautionary lesson for navigating a world in which, more and more, we fashion our notions of truth from the flickering apparitions dancing before our eyes." -Los Angeles Times "Delightfully conversational..." -Boston Globe "...simultaneously bewildering and thrilling, like finding a fathomless secret world hidden behind the seeming simplicity of everyday life." -Salon "Morris' assiduous and profound inquiry into the relationship between reality and photography is eye-opening, mind-expanding, and essential in this age of ubiquitous digital images." -Booklist (starred review) "Students of photography-and fans of CSI-will find this a provocative, memorable book..." -Kirkus Reviews

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About the Author

Errol Morris is a world-renowned filmmaker-the Academy Award- winning director of The Fog of War and the recipient of a MacArthur "Genius" Award. His other films include Standard Operating Procedure; Mr. Death; Fast, Cheap, and Out of Control; A Brief History of Time; and The Thin Blue Line.

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Product details

Hardcover: 336 pages

Publisher: Penguin Press; 1st edition (September 1, 2011)

Language: English

ISBN-10: 1594203016

ISBN-13: 978-1594203015

Product Dimensions:

7.5 x 1 x 9.4 inches

Shipping Weight: 2.2 pounds

Average Customer Review:

4.3 out of 5 stars

35 customer reviews

Amazon Best Sellers Rank:

#155,273 in Books (See Top 100 in Books)

Though it was published earlier, this is the best book I read in 2014. It has flaws - the last third isn't nearly as good as the first two thirds - but Morris' discussion of the authenticity of the famous Crimean War picture, the scope of his intellectual engagement, his detective work, the careful approach he took to his subject is absolutely breathtaking. Consider this a seven star review minus two stars for the last section. Highly recommended.

This is not a book for a tipical or amateur photographer. This is a book por people who care very seriously about photography. This is the kind of book for people who keeps thinking about what photography really is, the importance of photography, the influence of photography, the history of photography, the mass media manipulation using photography. In other words, don't buy this book if you don't care about photography's theory. And if you do, don't miss it!

While most photographers, myself included, just take what we do for granted, Errol Morris points out the manipulative nature of all photographs. Artists do much the same thing. The very act of "selecting" what to capture in an image and what to leave out is an act of selective vision that we use to inform or impress our viewers. But, since we are not all taking images to be used in a court room in a legal case, or to document a war, that is fine. His observations will make you think more deeply about what you photograph, but certainly won't change my methods or intent.

As a photographer, I appreciated Errol Morris' book on several levels. He examines several case studies, specific photographs since the advent of photography which have in some way affected the perception of history; his choices in themselves are intreguing. Morris' style of writing manages to read as both academic and personal, and he takes advantage of all the research options available, both human and otherwise. His central point, that an image can be manipulated by both the artist and the viewing public to become something more, makes you question all of modern media.

Errol Morris is a documentary cinematographer. In this book, he offers up meditations on truth and still photography. His perspective is unremittingly that of a documentarian -- he has very little interest in aesthetic issues in this volume. They may impinge tangentially, as he considers issues of arranging the objects being photographed, but they are never his focus.The style of the book reminded me of a Studs Terkel book -- he interviews people who have some relationship to each of a half-dozen photographs that comprise the nominal topics for the book's chapters. The interview approach keeps the material accessible and rather chatty, even when it delves into arcana of image processing or forensic analysis of photographs. AFAICS, there is no main point that the book is trying to put forth. Rather, it is a series of ruminations on the topic of photographs as historical (or news) artifacts.I thoroughly enjoyed the explorations, in the way that I enjoyed the movie "My Dinner with Andre" -- I would have liked to have been present during the interviews, and reading the book is the next best thing. There are times when I was less than convinced of the correctness of points being made -- for example, the big conclusion of the first photographs examined was that it is the accidental and unimportant aspects of a photograph that are the reliable indicator of truth within it. While there may be some validity to that observation, there was also considerable value in the alternative ideas that were examined along the way.Morris' expectation that there should be one irrefutable standard for establishing truth in a photograph was what was flawed, not the particlar standards that were put forward. The fact that they all led to the same conclusion was a much more reliable basis for believing that conclusion than any one of them in isolation, including the one he finally settled on.But the value of ths book is not that it presents unassailable conclusions. Rather, it is in the questions with which it chooses to wrestle. If you have any interest in photo journalism, documentary photography, or history, this book will be an engaging exploration of ways in which photography can enlarge our appreciation of historical events and the ways in which it may be an impediment to that appreciation. It is well worth a read.

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Download Ebook , by Kelli Callahan

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Product details

File Size: 5249 KB

Print Length: 195 pages

Simultaneous Device Usage: Unlimited

Publisher: Kelli Callahan Books (January 17, 2019)

Publication Date: January 17, 2019

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07MXNYTGG

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#980 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Once innocent but now she craves the beasts within. An obsession for revenge changes three lives forever. Reynard and Mauro seek revenge against the woman that destroyed their brother. Lizzy survives the only way she can, through online chats with wealthy men with dark fantasies then blackmailing them. When the brothers kidnap Lizzy and put her in a cage their plan is to make her pay for her sins by making her fulfill her promises to the men she blackmailed. Their beasts within out her in a cage and kept basic need from her as punishment. What happens when she starts to believe she deserves everything they do to her and stars to crave the punishment as a way to cleanse her guilt. What happens when they realize she is not the reason for their brothers destruction and there is a more sinister plot against them? With their lives crumbling around then Reynard and Mauro are shocked to find Lizzy is the one to uncover the truth that sets them free. How can the brothers release Lizzy from the prison they created for her when it's the one thing she craves??? This dark and twisted erotic story is not for everyone and may contain triggers. It's also a story you can't put down just to find out what is going to happen next. They might have out her in a cage for punishment but it also released something in each one that created a bond that is unbreakable. I voluntarily reviewed an ARC of this book.

The characters blew me out of the water! The storyline was crazy Sharp. The relationship was off-the-charts wild and lustful, just like I like it. I've never experienced any of those situations myself but when I read it on the pages it's like I'm there and experience everything for myself which is really cool. Thanks for writing keep up the good work.

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Just ok. Should have spent a lot more time on the ending. Most of book was unbelievable to me and she was too inexperienced to take down that big of a company.

I liked the characters, how they evolved in the story, and the twist at the end!

When Lizzy gets caught by two brothers, Reynard and Mauro, for what they believe is her fault for their older brother’s demise, she doesn’t know what she is in for. Reynard is a beast and has a darkness that he will unleash on the young innocent woman and Mauro, even though he also has a beast within, is able restrain himself. Lizzy is scared and doesn’t know what will become of her, locked away from the outside world she only has the two brothers to rely on food, water etc, but what she doesn’t know is her past is coming back in full force to haunt her and Reynard will be the one to make all her statement come true...will she survive once he breaks her.A dark read with no hearts and flowers and no revelations of ever lasting love. It’s not a light read with romance, and even though there are steamy scenes, it’s punishment, BDSM, and at times, I didn’t think the beast Reynard could be redeemed. I’m hoping there will be a follow up to these three, because it just seemed to end, I want to know if Lizzy grows a backbone or just wants punishment, will Reynard show some heart, will they all be together, what happens now etc. It left me hanging but not really in a good way. I did like the fact the Lizzy was smart and able to help the two, but once again...what happens now. 3.5 stars*I voluntarily read an advanced copy and expressed my honest opinion*

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Product details

File Size: 1775 KB

Print Length: 128 pages

Publisher: Open Road Media (September 13, 2016)

Publication Date: September 13, 2016

Language: English

ASIN: B01I2IOEB2

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Amazon Best Sellers Rank:

#38,691 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

There was a great deal of buzz on Twitter about this novel's reissue, articles about its cult-status, NPR mentions, it was the thing all the cool literary kids were talking about, and so, that I'd never heard of nor read it pushed all my "I wanna be popular, too" buttons and I quickly ordered a used copy.Novella rather than novel, this allegorical romantic-tragic-comic --- okay, this un-categorizable romp is a feminist --- no, a humanist --- no, a satirical --- no, a fable of --- no, a lyrical --- no, a political --- you see the problem?Ignored when released in 1982, its naming in 1986 by the British Book Marketing Council as one of the twenty greatest American novels since World War II still failed to earn Mrs. Caliban a permanent place on the list of must read classics but, luckily, it has been sustained by its inclusion in many a literary fiction MFA curriculum.Having lost two children, trapped in a marriage of resigned, passionless suburban-ennui with an adulterous, deceiving husband, Dorothy Caliban, numbed and defeated into surrender by choices made and not, is making salad one day when "... a gigantic six-foot-seven-inch frog-like creature shouldered its way into the house and stood stock-still in front of her, crouching slightly, and staring straight at her face." She's met Larry.Larry has been held captive, experimented on and tortured by government researchers who he's killed in order to escape. Dorothy sympathizes, offers him sanctuary, and soon enough, they fall into one another --- physically, emotionally, spiritually --- as she hides him, unbeknownst to her oblivious husband --- in a room off her kitchen, where Larry learns about Dorothy's world from television and radio programmes. Thus is set into motion a series of events revealing fissures, cracks, and facades in the lives of Dorothy, her husband and friends, and the world in which she lives, a world she tells Larry is "all right" now that he is in it.Is Larry real? A fantasy onto which Mrs. Caliban projects her dissatisfaction with her limited, disappointing life? Is this a modern Beauty and the Beast? Or, is this feminist social-theory writ ironic? It is, I think, all those things and more, a concupiscent conflagration of marvelous writing, imaginative use of plot tropes, humor, pathos, and technique, all of which is entertaining. Imagine an episode of The Twilight Zone as written by Elizabeth McCracken and directed by Baz Luhrman; the implausible and outrageous made believable and beautiful.

In her mid-life, Dorothy’s life is far from the best. She’s experienced the unexpected death of her young son, lost a baby, has only one real, close friend, and has a husband who both ignores and cheats on her. Hers is a sad life. But her life changes considerably the day Larry walks through her backdoor—Larry who the radio news announcer describes as a “creature” escaped from “the Jefferson Institute for Oceanographic Research” after horribly mutilating its keeper and the scientist studying the “Monsterman” after capturing it on a “South American expedition.” Larry—with eyes “seemingly much larger than the eyes of a human being, and extremely deep” standing six-foot-seven-inches tall with a head “quite like the head of a frog, but rounder,” webbed hands and feet, and a body “exactly like a man—a well-built large man—except he was a dark spotted green brown in colour and had no hair anywhere.” Larry—who is taught to speak at the Institute and declares his keepers “had mistreated him” and forced him to “participate in various forms of sexual abuse, some of which [Dorothy] hadn’t known of before.” Larry—who Dorothy hides away in a back room of the house where her husband never goes—and becomes Dorothy’s lover. Larry—who makes Dorothy happy again.Mrs. Caliban (1983; with an Introduction by Rivka Galchen in the New Directions reissue of 2017) by Rachel Ingalls is a most incredible book. The blurb on the cover from The New Yorker refers to it as “A perfect novel.” Never a huge success (none of her work has been due to its eclectic nature and, perhaps because she is a woman states David Canfield in Entertainment Weekly), Ingalls’ Mrs. Caliban is getting new attention most likely due to the tremendous film success of another amphibian-man/human female love story, Guillermo del Toro's The Shape of Water (2017). Ingall’s novella, however, has been praised by authors such as John Updike, Joyce Carol Oates, and Daniel Handler (Entertainment Weekly) since its release.As surreal as Dorothy’s acceptance of the sea-monster Larry appears to be and the sexual affair they have (which is never explicitly detailed), the novella also has in it moments of sudden (off-stage) murder, infidelity, duplicity, and violence. Inhuman weaknesses are countlessly on display. But don’t for a moment believe that Mrs. Caliban is a horror novel. Ingalls tells her story in such an off-hand, even jovial narrative voice that the distressing moments contained within the work seem as every-day as shopping for avocados. Readers will not find themselves horrified or even shocked, but truly enchanted as they step into Dorothy’s world long before Larry appears (and he doesn’t appear until nearly twenty pages into the work).As Larry gets more restless and is filled with questions about humans from watching TV and venturing out among them in disguise, as Dorothy learns more about her best friend’s personal life, as Dorothy’s husband continues his secretiveness, as more victims allegedly fall “to the bloodlust of this creature,” and Dorothy and Larry take their relationship to increasingly new heights, readers turn the pages of Mrs. Caliban in awe, wondering how things are going to turn out, with any “willing suspension of disbelief” left far behind.There is one point of ambiguity in Mrs. Caliban that is never fully addressed. At the beginning of the story Dorothy hears secret, short messages emitting from her very old radio that “looked like a 1930s Gothic cathedral… that couldn’t possibly be real.” Only she can hear them. Are they products of her vivid imagination? And could Larry, after the newscast of the “monsterman’s escape” who is never seen by anyone but Dorothy (although he comes home wounded from an attack by strangers with dire consequences), also be imaginary? Such is the magic of Ingalls’ writing that the reader will never know, and it really doesn’t matter.The climax of the novella is surprisingly intense and the conclusion heart-grabbing. Mrs. Caliban is, indeed, a “perfect novel” without a single, wasted word and readers are bound to be left wondering what other treasures by Rachel Ingalls await re-discovery.

I don't understand the good reviews and certainly not calling this a "perfect" novel. It surely had an interesting and compelling premise, but most of what happens outside of this central idea is mundane, boring and predictable. Perhaps it needs to be to help us accept the fantastical relationship at its core, but I still found it brain-numbing. On the other hand, there is not enough detail given to the development of the pivotal romance for us to believe in it or care very deeply. This is rather an ambiguous, ambivalent review ... but I guess that sums up how I feel about this novella.

I recently saw The Shape of Water and, feeling underwhelmed by the execution of its brilliant premise, figured I'd read this book that presents a very similar story.Larry is a talking sea monster who loves avocados. (Who can blame him, honestly?) After escaping from a duo of sadistic scientists who captured him, he shows up at the door of a lonely housewife named Dorothy and reinvigorates her mundane life.This being a slim novella, there's very little room for setup or explanation. In fact, the casual and matter-of-fact way that the relationship between Larry and Dorothy plays out is part of its charm. She accepts him into her life immediately, allowing him to fill the void left by her unhappy marriage and the recent death of her child.Is Larry real, or is he merely Dorothy's fantasy—the antithesis of her husband and her boring existence? This quirky and charming little novel is also a biting work of social satire and feminist fiction, existing in the gap between reality and fantasy, grief and joy, acquiescence and agency.

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Ebook , by Catherine Bybee

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Ebook , by Catherine Bybee

Currently, you can find out more precious time to spend for this priceless publication. Reading this book will lead you to open up a new globe that comes for getting something valuable and also useful much. , By Catherine Bybee is just one of the collections of the books in the listings of web site. You could discover the soft data based on the web link that we present. When you require better idea of reviewing reference, choose this publication as soon as possible. We have this book also for delivering guide in order to recommend more.

, by Catherine Bybee

, by Catherine Bybee


, by Catherine Bybee


Ebook , by Catherine Bybee

Go forward to be better within brighter future! Everyone will feel this sensible word ahead actual for their life. The desire, however that's not a dream. This is a real thing that people could get when they actually can do the life well. To earn you feel effective to get to the future, some actions are required. Among the actions that you could undergo is reading, particularly the book.

The very first factor of why picking this book is since it's used in soft documents. It implies that you can save it not just in one device but likewise bring it all over. , By Catherine Bybee will certainly feature how deep the book will certainly supply for you. It will offer you something brand-new. Also this is only a book; the presence will actually demonstrate how you take the motivations. And also now, when you truly should make manage this publication, you can start to get it.

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, by Catherine Bybee

Product details

File Size: 1228 KB

Print Length: 309 pages

Publisher: Montlake Romance (August 12, 2014)

Publication Date: August 12, 2014

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00HST8JT0

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Amazon Best Sellers Rank:

#2,823 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I absolutely love Catherine Bybee's Weekday Bride series and I'd been anxiously waiting for Rick and Judy's story ever since they both appeared in Single by Saturday. I just finished reading their story in Taken by Tuesday and it was simply amazing. I loved the flirting, sexual tension and witty dialogue whenever they were together. I enjoyed the suspenseful elements in this story and I could not stop turning the pages and reading. I became totally smitten with Rick whose sex appeal and fierce protectiveness had me swooning. Judy was an intelligent woman whom I admired and I loved that she trusted Rick without question despite circumstances. I adored Meg, Judy's best friend and she really shined in scenes with her lively personality. I hope she will get her own story in the future. And I cannot forget to mention how sexy it was to see Neil with his baby daughter which just melted my heart. This author knows how to write an engaging story with characters you fall in love with and cannot help but go along for the ride. I cannot wait for the next book in this series.

Ms. Bybee has done it again! Taken by Tuesday is an engrossing read with just the right balance of romance and suspense/action. This book is written as a stand alone but your reading experience would be greatly enhanced by reading the earlier four books (or at the very least the previous two). This is Rick and Judy’s story and it was worth the wait.We first met Rick in Fiancée by Friday. He was in the Marines with Neil and had his back when he needed him. He's such a great guy: strong, honorable, committed and the fact that he's smoking hot (with dimples even) certainly doesn't hurt. Judy we met in Single by Saturday. She's Zach and Michael’s sister and she played a big roll in getting Becky safe. She's smart, capable, and keeps a pretty cool head in a crisis. On top of that she and her best friend Meg have some mad internet research skills. On a side note I loved Meg and am now eagerly awaiting her HEA.This is the story of two people who have great chemistry but aren't sure if the should pursue it. Ok maybe Judy is the only one who is unsure, she doesn't know if her career goals are comparable with what she knows she will come to feel for Rick. A series of events makes their marriage a necessity, or at least preferable to the alternatives (sorry I'm vague I'm trying to avoid spoilers). Chaos ensues, everyone bands together and the day is saved.I have to say that I love Catherine’s writing and this series is my favorite. I love all the characters and how they connect. I love how characters are introduced and you can begin to see where their story might go but it never takes away from the stand alone quality of each book. I love getting to see past couples living their HEA and their families growing. I would recommend this series and this book specifically to any fan of the romance genre, I dare you not to get hooked!

I love this series so of course I couldn't wait for this new story in it. And even though my expectations were quite high, I wasn't disappointed :)This book has absolutely everything. The hot Marine who will do everything for his woman, hot love scenes, suspense which will make your skin crawl and of course a happy ending. Judy and Rick are quite enchanting, funny and likable characters and even though Gwen and Neil from Fiance by Friday are still my favorite couple in the series, Rick and Judy are becoming close second :)The story is amazingly good written and even though it is close to 300 pages, it is pretty much impossible to lose interest in reading. In my case it just kept me glued to my spot reading and in the case when I actually had to do something I just switched to the audio version (which btw is also amazingly good narrated). I think you won't make a mistake if you pick up this book. And yes, it is part of a series but I think it could be read even as a standalone, though the experience will be better if you read the rest of the books first :)Definitely a recommended read :)

There was no doubt I was waiting on this book...I had to know what happened between Judy and Rick after the chemistry that they had at the end of the previous book! And, I was not disappointed!While Rick tried to get his "babe" to go on a date with him, Judy grappled with whether or not she'd be losing herself by agreeing to date the man she couldn't get off of her mind. A series of events leads to Rick and Judy spending more and more time together until they finally realize it really isn't a question of whether they should be together, it's whether they could even function apart.Catherine Bybee does an amazing job of creating a plot that sucks you in as you move through the book. She also surprises you as well when something completely unexpected threatens to end Rick and Judy's new found relationship before it really gets off the ground. There is also no shortage of sparks between the main characters which only sweetens the story.I've been a fan of Catherine's for a long time and once again she has created a story that is worth everyone's time to pick up. I can't wait for her next book!

Judy has a plan. Graduate college, get a job, and become an architect. Rick has one job. To protect Judy.After she graduated college, Judy and her BFF Meg, move to L.A. where her internship is. Seeing Rick again has the potential to throw her off her game plan but the attraction is off the charts. When Judy is attacked where she works the only one she wants to keep her safe is Rick. When he is wrongly accused of her attach and put in jail, Judy suggests marriage so she won't have to testify. After he is released they resume the hunt for the attacker.When an explosion happens at her job and she isn't found, Rick must use everything he has to try and save her. But will he make it in time. And if he does, will she love him as he loves her? Can they have a real marriage outside of all the chaos of their lives together so far? I recommend this series to anyone who loves smart, sexy heroines and the strong alpha men who love them.

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PDF Download Scratchboard for Illustration, by Ruth Lozner

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PDF Download Scratchboard for Illustration, by Ruth Lozner

To recognize how you think from the book, reading is the just one to obtain it. It will be various if you heard from other people. Checking out the book on your own could make you really feel completely satisfied and get enhanced of the book. As example, we proffer the excellent Scratchboard For Illustration, By Ruth Lozner as the reading material. This brochure of the book uses you the sensible point to obtain. Also you do not such as checking out so much; you should read this publication all the same.

Scratchboard for Illustration, by Ruth Lozner

Scratchboard for Illustration, by Ruth Lozner


Scratchboard for Illustration, by Ruth Lozner


PDF Download Scratchboard for Illustration, by Ruth Lozner

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We understand and recognize that sometimes books will make you really feel bored. Yeah, investing many times to just check out will precisely make it real. Nevertheless, there are some methods to conquer this problem. You can only invest your time to read in couple of web pages or only for filling up the leisure. So, it will certainly not make you really feel bored to always face those words. And one crucial thing is that this publication uses really fascinating topic to check out. So, when checking out Scratchboard For Illustration, By Ruth Lozner, we make certain that you will not discover bored time.

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So now, what's even more you will undertake with this book? Just get Scratchboard For Illustration, By Ruth Lozner immediately to lead your idea to constantly create. When you make small way of thinking to think about challenging publication to read, you will certainly not make any development. And see just what you will get, regret will always come behind. So, do you want to turn into one of them? Certainly not! Reading and checking out become one of the options that you could attempt to get rid of the issues.

Scratchboard for Illustration, by Ruth Lozner

About the Author

Ruth Lozner received a BFA from Carnegie-Mellon University, Pittsburgh, PA and an MFA from American University, Washington, DC. Currently she holds the title of Professor Emerita of Art and Design from the University of Maryland, College Park. She previously held faculty positions at the Parsons School of Design and the University of the Arts, where she was Chair of the Illustration Department. For several years, she served as co-director of the Academy of Excellence of Teaching and Learning at UMD, an organization that encourages and supports innovative pedagogical practices. She is currently a member of the Education Committee for the Cooper-Hewitt Museum, Smithsonian's national design museum in NYC and a Fellow of the Royal Society of the Arts, UK. Professor Lozner has lectured extensively at various venues including College Art Association Conferences, National Art Education Association Conferences, Maryland Art Education Association Conferences, AIGA and many college campuses. Professor Lozner's scratchboard illustrations have appeared in publications such as The New York Times, The Washington Post, The Atlantic Magazine, Travel and Leisure Magazine, Good Housekeeping, Mother Earth News and countless editorial publications of non-profit organizations. In addition she maintains an active Fine Arts practice showing collages, drawings and sculptures at various galleries and museums around the country.

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Product details

Paperback: 146 pages

Publisher: Echo Point Books & Media; Reprint ed. edition (February 2, 2018)

Language: English

ISBN-10: 1635617340

ISBN-13: 978-1635617344

Product Dimensions:

8.5 x 0.4 x 11 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

7 customer reviews

Amazon Best Sellers Rank:

#622,291 in Books (See Top 100 in Books)

An interesting and useful book to have as reference; however was a little disappointed, but that is a personal thing, many would love it as a reference book. Useful to refer students to from my class; although having Sally Maxwell's book - is their first choice.

The great thing about this book is the tremendous number of illustrations from many artists with wildly different styles. If this doesn't inspire you to try scratchboard art, you probably can't be inspired.There isn't as much instruction as I wanted, but just go to YouTube and search for Scratchboard Tutorial.

Wonderful book with fantastic pictures of different techniques. Just what I needed

Seriously intelligent and great read! I learned more here than in any other material I have found.

If you have an interest in learning about scratchboard and the techniques used, this is the book for you. I highly recommend it.

Illustration as a vocation requires exceptional versatility and great drawing skill; it also requires the ability to think visually and solve narrative problems. Prof Lozner, an accomplished artist and illustrator, draws upon her classroom and studio experience to offer up a dazzling array of illustrations that teach all these skills by great example. Anyone who draws, or who has ever wished to draw, will find this book stimulates their imagination and expands their technical facility. Prof Lozner has researched decades of scratchboard illustrations; she masterfully curates styles ranging from dramatic to whimsical, from decorative to draughtsman-like.This is not a 'how to draw the pirate' book for beginners; it assumes the reader is capable of using art materials and can interpolate how the examples are done. This book is for advanced students, and the accomplished illustrator looking to excel. This reader would have wished for a short biographical sketch of each artist whose work is represented, as well as a date for each work, but this is still a 5 star book.

There aren't many books available on scratchboard but I've managed to obtain some. I got this book through Amazon's out-of-print service and am very glad I did.The first few chapters give a history as well as overview of the materials used. She shows various scratch tools available as well as various surfaces. Instructions for inking your own all-black surface on white scratchboard is also given.The next few chapters give examples of the various types of lines and dots that can be achieved with the scratch tools. Some of these examples combine pen & ink with various techniques. The Getting Aquainted chapter, for example, give instructions for creating various half-tone effects, stipple effects, hatching and cross-hatching and combining these with pen & ink.There are instructions for creating an "unplanned drawing" (which the author defines as sketching directly onto the scratchboard surface freehand) and a "planned drawing" (which is sketching first on paper and then transfering the traced drawing to the scratchboard).There is instruction on how to correct mistakes, using various mechanical drawing aids such as French Curves, triangles and compass. There are chapters on creating a woodcut or a linoleum cut and metal or wood engraving effects. She deals with effective use of light and shadow and values. There is even one small chapter on non-traditional scratchboard and more experimental surfaces or effects. The final chapter deals with using color with your scratchboard art.Throughout the entire book each page is crammed with diverse and stunning examples of scratchboard art. Much of the enjoyment I derived from this book was simply from looking at all the great art featured. The diversity of styles - from non-representational to realistic was a feast for the eyes.I would definitely recommend this book to anyone considering trying out scratchboard. Scratchboard fans won't be disappointed.

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Ebook Ordinary Men: Reserve Police Battalion 101 and the Final Solution in Poland, by Christopher R. Browning

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Ebook Ordinary Men: Reserve Police Battalion 101 and the Final Solution in Poland, by Christopher R. Browning

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Ordinary Men: Reserve Police Battalion 101 and the Final Solution in Poland, by Christopher R. Browning

Ordinary Men: Reserve Police Battalion 101 and the Final Solution in Poland, by Christopher R. Browning


Ordinary Men: Reserve Police Battalion 101 and the Final Solution in Poland, by Christopher R. Browning


Ebook Ordinary Men: Reserve Police Battalion 101 and the Final Solution in Poland, by Christopher R. Browning

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Ordinary Men: Reserve Police Battalion 101 and the Final Solution in Poland, by Christopher R. Browning

From the Back Cover

Ordinary Men is the true story of Reserve Police Battalion 101 of the German Order Police, which was responsible for mass shootings as well as roundups of Jewish people for deportation to Nazi death camps in Poland in 1942. Browning argues that most of the men of RPB 101 were not fanatical Nazis but ordinary middle-aged, working-class men who committed these atrocities out of a mixture of motives, including the group dynamics of conformity, deference to authority, role adaptation, and the altering of moral norms to justify their actions. Very quickly three groups emerged within the battalion: a core of eager killers, a plurality who carried out their duties reliably but without initiative, and a small minority who evaded participation in the acts of killing without diminishing the murderous efficiency of the battalion whatsoever.While the book discusses a specific reserve unit during World War II, the general argument Browning makes is that most people are susceptible to the pressure of a group setting and committing actions they would never do of their own volition.Ordinary Men is a powerful, chilling, and important work with themes and arguments that continue to resonate today. 

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About the Author

Christopher R. Browning is professor of history at Pacific Lutheran University in Tacoma, Washington. He is a contributor to Yad Vashem's official twenty-four-volume history of the Holocaust and the author of two earlier books on the subject.

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Product details

Paperback: 384 pages

Publisher: Harper Perennial; Revised edition (February 28, 2017)

Language: English

ISBN-10: 0062303023

ISBN-13: 978-0062303028

Product Dimensions:

5.3 x 0.9 x 8 inches

Shipping Weight: 9.6 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

67 customer reviews

Amazon Best Sellers Rank:

#10,549 in Books (See Top 100 in Books)

It is very easy to blame the Holocaust on specific German characteristics. It is easy to believe the perpetrators were all goose-stepping SS-fanatic caricatures from Central Casting. The truth is more disturbing. The thesis of this book is that ordinary men can be turned into mass-murderers given the right circumstances. That is an important lesson. An unfortunate conclusion much of the world appeared to draw from the World War 2 experience was that genocide is a peculiarly German affliction. This induced an unwillingness to effectively combat the many instances of attempted genocide large and small, since 1945 (Rwanda, Bosnia, Cambodia ... the list is long and depressing). Hopefully an awareness of the terrible capacity for slaughter in all people will make us a little bit more alert and careful.

Humbling and fascinating look at what has happened during the Holocaust, something to reminds us that not everyone who perpetrates monstrous acts is, inherently, a monster: One need not be born a monster to become one, and if we arrogantly ignore that fact we risk repeating these same mistakes.This should be required reading in schools, if you were to ask me. I cannot recommend it enough.

Excellent read, used this book alongside Snyder's Bloodlands Bloodlands: Europe Between Hitler and Stalin as textbooks for a course on World War II in Eastern Europe. Browning's highly sourced/researched book shows the complicity of German Police Battalions, Hiwis, Poles, and the Wehrmacht in war crimes committed by the Nazis.

I can't really put into words a description that will do this book justice. Just know it is extremely informative as well as extremely emotional, and a must read for anyone interested in history or the dangers of collectivism.

It seems to me that we in the West are like men in a cavern, out of which lead many paths, none signposted. Some paths lead to bright futures, but other paths lead to terrible ones, among them those where, once again as we did not so very long ago, we slaughter each other over ideology. And the way back is closed, so we must choose one path forward. The service of this book is that it illustrates Solzhenitsyn’s dictum, that the line between good and evil runs through every human heart. Thus, reflecting upon this book may help us choose the correct exit from the cavern, and to that end, it is worth bearing the unease that comes over us when we read books like this.This book, a staple of Holocaust studies for twenty-five years, has recently risen to fresh prominence due to repeated mentions of it by Canadian psychologist, and superstar, Jordan Peterson. His focus on the book arises from his own decades-long study of evil regimes, and his thought on how we, you and I, would really react if we lived under an actual such regime. Peterson’s basic point is that we are deluding ourselves if we think we would be heroes; the vast majority of us would fall somewhere on the scale of cooperation with evil. "Ordinary Men" shows that principle in application, in the history of a group of German men who saw militarized police service in Poland during World War II.Christopher Browning’s focus is on a “reserve police” (Ordnungspolizei) battalion, Number 101. This battalion consisted of roughly five hundred men and was composed mostly of working class men from Hamburg. Very few had any Nazi political background; most, to the extent they had political views, were probably Social Democrats. They were not soldiers; they were nationalized paramilitary police, of a type not found in America, but common in Europe, then and now. Basically, they were a combination of police force and National Guardsmen; not eligible, for the most part, for regular military service, due to age or some other reason, but frequently used to support operations in areas where the German military had conquered.What was special about this battalion was not its composition, or its actions, which were roughly the same as several similar battalions. Rather, it’s that we can know a lot of what these men actually did, which is not the case for most such units, lost among the fog of war and the desire to conceal the past. In the 1960s the German authorities conducted and transcribed, as part of a criminal investigation, extensive interviews with all the surviving Battalion 101 members they could find. Apparently this was one of the few battalions whose membership list was extant at that time, hence the focus on this battalion. It was these court records to which Browning, in the late 1980s, was able to gain access (though he was forbidden from revealing actual names except for those few men actually convicted of crimes, so he uses pseudonyms throughout), and which he used to construct what is part history and part psychological analysis. In more recent years additional such data has been mined and published, but Browning was the first to conduct a study of this type. He is very cautious in his approach, noting that no individual’s testimony can be taken at face value, but claiming, I think accurately, that by judicious and open-minded examination of the mass of testimony, triangulating claims against each other and against known history, a great deal can be determined with a high degree of certainty.The relevant area here is Poland in 1941 and 1942. Reserve Battalion 101 did not operate in Russia, but other similar battalions did, participating after Hitler’s invasion in 1941 in the rounding up, and increasingly frequent organized murder, of Jews in locations like Minsk. Many such battalions ended up pressed into frontline fighting, though, and the Germans fairly quickly transferred killing duties to locally recruited elements, who were for the most part only too happy to help out, unlike, as we will see, some of the reserve battalion’s policemen. Battalion 101, however, continued its behind-the-lines focus throughout the war, never serving as a fighting military unit.Beginning in 1940, Battalion 101 was used to resettle Poles (mostly not Jews) in Western Poland, around Łódź. This was deportation, but not killing or transport to death camps (which did not exist in 1940). At the end of 1940, the battalion took up guard duties at the Łódź ghetto, into which the 160,000 Jews of Łódź had been crammed. Again, this did not involve killing, though it involved mistreatment and dehumanization of Jews, if not by the battalion’s own men, then by other Nazis involved in guard duties. In mid-1941, the battalion returned to Hamburg and was functionally dissolved and re-formed; it these mostly newly enrolled men on whom Browning’s book focuses.Battalion 101’s direct involvement in massacres began in July 1942, as the Final Solution got into full swing. The first massacre was in the Polish village of Józefów, where the battalion was ordered to collect the roughly 1,800 Jews living there; to shoot women, children and old people on the spot, and ship out male Jews suitable for slave labor to Lublin. The battalion’s commandant, Major Wilhelm Trapp, gave a speech to the men in which he expressed some distress and said that men would not be punished for asking for guard or transport duty. A handful took advantage of the offer; the rest, in a highly disorganized, ad hoc, fashion, trucked Jews from the town, marched them into the nearby woods, and chaotically shot them in batches at point-blank range. (Here, and throughout the book, the fate of children is somewhat opaque—they must have been killed, but nobody, even Browning, seems to really want to talk about the details.) During the killing, some more, maybe ten percent to twenty percent, of the battalion’s men made themselves scarce, either by hiding or simply moving about with apparent purpose, but taking advantage of the confusion to not participate directly in the killing. Most of the men, however, participated to the end; when they returned to barracks, many were shaken, and alcohol was provided, but there was no collective pushback against what they had done.In August, Battalion 101 assisted in collecting Jews from various villages, for transportation to Treblinka, collecting them and packing them into the infamous cattle cars. Many Jews were shot during these operations, but killing Jews wasn’t the immediate goal, and local auxiliary forces (so-called Hiwis) did most of the actual killing. Then, in the fall, the battalion was directly involved in several more mass shootings ordered from above. (Who did the ordering is lost to history, as with so many things in war, and the Germans who organized the Final Solution were keen to avoid records, not so much for fear of punishment in this life, but because they thought the masses of Germans should not know what had been done.) These later shootings were more organized, since techniques had been learned and practiced, and, more importantly, men within the battalion had risen to positions of authority who either did not mind directing such work, or positively enjoyed it.The mass of men in the battalion had gotten used to carrying out their orders. Those who objected, of whom Browning profiles several, and who may have been as many as ten percent of the total, were the target of strong social pressure but were not punished, and the most vociferous objectors were ultimately transferred back to units based in Germany. More shootings and deportation followed, along with “Jew hunts” for those who had gone into hiding or become, or joined, partisans. The final killing in which the battalion participated was the massive killing in the fall of 1943, the “Harvest Festival” massacres, in which Heinrich Himmler ordered the coordinated extermination of the Jews in Lublin work camps. (While Browning does not mention it, the man in charge of “Harvest Festival,” Christian Wirth, was instrumental in the Aktion T4 program, the Nazi killing of the handicapped that preceded and smoothed the path for the Holocaust.) “For a battalion of less than 500 men, the ultimate body count was at least 83,000 Jews.”Reading all this is exhausting, even in a fairly short book. The usual disturbing details, hard to understand, crop up, such as that Jews went to their deaths with “quiet composure.” Browning humanizes, or at least reifies, the men of the battalion, drawing incisive sketches of them, as known through the interviews to which he had access. Generally, those few who did not participate, or limited their participation, were usually of a slightly higher social class than the other men. Several were tradesmen who had their own businesses and were not interested in a postwar police career, and so were more independent. Roman Catholics seemed to be the most likely to refuse—but there were few in Hamburg, so this was not a large group, either. But, as one would expect, no one factor dictated a man’s behavior. Or rather, one single factor hard to define did—his character.So why did “ordinary men” men become killers of innocents? Browning goes through each possibility. The first is conformity, “the basic identification of the men in uniform with their comrades and the strong urge not to separate themselves from the group by stepping out.” In essence, this is peer pressure. The second is a desire and compulsion to obey authority from above, reinforced by the “legitimizing capacities of government,” a strong element in the German mindset. The third is the men’s belief that they had no choice, that punishment for themselves or their families would follow a refusal to obey orders. As Browning notes, though, there is no example known in all the war of a single incident of a soldier being punished for refusal to murder civilians, much less any repercussions for his family, although that’s not to say threats were not made. Punishment of uninvolved family members for political offenses was, and is, a Left/Communist specialty, not used to any relevant degree by the Nazis. The fourth is anti-Semitism, conditioned by years of Nazi propaganda (or, perhaps, as discussed below, by the German social culture and pysche itself, not merely by Nazism). The fifth, beyond mere anti-Semitism, is aggressive indoctrination, creating the active principle of eliminationism of which intellectual anti-Semitism was the passive precursor. But, as Browning notes, these men were not political Nazis, for the most part, and relative to, for example, the SS, they received cursory indoctrination, in which at most a dislike for Jews was inculcated, not a desire to kill Jews.Browning seems to think that of these five, conformity was the key element, but that any individual man’s behavior cannot be isolated to one simple explanation. He points to the Stanford prison experiment as evidence that average men can quickly become cruel and treat others in dehumanizing ways, which is certainly true, as shown by this book, although it turns out that the actual Stanford experiment was pretty much a fraud, and not replicable to boot. Browning also adduces Stanley Milgram’s famous experiment with test subjects giving electric shocks to people at the command of an authority figure, noting the effect both of authority and peer pressure/conformity (although that experiment has also been criticized as far removed from the real world). My opinion is that pointing to these experiments isn’t particularly helpful to the reader; the mere recitation of the facts, combined with the (presumably far less traumatic) experiences of each of us, should be enough to show that conformity, by itself or combined with other factors, is itself enough to create murderers, for all men are fallen, and Order Police Battalion 101 is just another example in an endless litany. Each of us can be Cain.The only explanation that Browning rejects outright is that the actions of Battalion 101, and of all those who killed Jews in the Holocaust, were the result of some uniquely evil strain in the German psyche, springing from centuries of anti-Semitism as the core defining element of German culture. And there lies the post-publication history of this book. Browning’s core point is that these were ordinary men, not ordinary German men, and that to focus on their being German makes us feel that the Holocaust is unique, and therefore can be ignored as not having real lessons for the future, since the Germans appear to have left anti-Semitism behind. When this book came out, in 1992, it was widely acclaimed. In 1996, though, Daniel Goldhagen (known for his book "Hitler’s Willing Executioners," a 1998 expansion on his arguments with Browning) attacked "Ordinary Men," claiming that Browning had this analysis exactly wrong, and the problem was the Germans themselves, each and every one.I am hardly a Holocaust studies expert, but my understanding is that a basic divide is between “functionalists,” like Browning, and “intentionalists.” As the names suggest, the functionalists see the Holocaust as not being specifically planned and not being the necessary consequence of German sociology or even Nazi ideology, but something that organically developed as an intersection of ideology and events. In another universe, the Germans won the war quickly, and most Jews were not killed, but perhaps deported to Madagascar or Africa. Hitler probably never directly ordered the Holocaust and did not plan it; he stated the need for the “Final Solution” (which Browning believes was, until 1941, conceived of purely as a geographic relocation solution), and the well-known principle of “moving toward the Führer,” combined with the anarchy and internal competition of the Nazi state, along with circumstance, did the rest. The intentionalists, in opposition, see the Holocaust as the precise and deliberate culmination of a twenty-year plan. Lacking documentary evidence for this, they tend to focus, like Goldhagen, on the idea that the Germans uniformly lusted to kill Jews, as a result of German social psychology. Hitler just gave them permission to do what they all wanted to do all along.I knew none of this until I read this book, and came upon the Afterword, published in 1998 by Browning to respond to Goldhagen’s attack on him. Browning scathingly dismisses Goldhagen, in terms quite aggressive for an academic dispute. He distinguishes between German “xenophobic” anti-Semitism, common enough but not supremely important in the culture, and the much rarer “chimeric” or “redemptive” anti-Semitism found in true ideologues, such as Himmler, and a “fringe phenomenon” until 1933. He points out that if Goldhagen’s thesis is true, and the Germans were not indoctrinated into anti-Semitism by the Nazis, how were they so easily indoctrinated out of anti-Semitism after the war? He notes many other mass killings of equal viciousness, from Yugoslavia in the war, to Mao to Stalin, to Cambodia, to Rwanda. He accuses Goldhagen of bad history on many fronts, including the idea that anti-Semitism was more important to most Germans as a threat than Social Democracy or the Triple Entente. He notes that the Nazis were more than happy to kill many others besides Jews, especially Russians and Poles. He rips Goldhagen for bias, cherry picking his data and terrible social science methodology. The cumulative effect, though I have not read Goldhagen myself, is pretty devastating.In any case, Browning is correct that the behavior of Reserve Police Battalion 101 is not unique. It is, as Peterson says, what all of us could become—perhaps some of us might be the non-conformist, retroactively, in the right circumstances, baptized as heroes. But probably not. And that implies that if ideological mass, mechanized killing returns to the West, it will find little difficulty implementing the desires of ideologues.We on the Right tend to see this as a threat always over the horizon when the Left dominates, and that is true enough as a historical matter—the vast majority of such twentieth-century ideological killing was conducted by the Left, in an attempt to reach the Utopia that justified sacrifice, or at least the sacrifice of others. And yes, most significant killing by the Right in the twentieth century (leaving aside the Nazis, who had a great deal of leftist ancestry), was measured and usually proportionate, the result of civil war and the need to eliminate direct and existential threats, as in Chile, for example. But the Right should not be complacent—the same demonic, chthonic drives that spur on the Left recur, in their own fashion, in the Right, if less often. We easily forget the Ustasha in Croatia, for example, and, again, the line between good and evil runs through every human heart.The Right must reckon with the truth that, in any future ideological hot conflict with the Left in America, towards which the Left is pushing hard, it would be easy for ordinary men to once again descend into eliminationism—particularly if the Right becomes informed by its own utopian ideology, rather than by the simple desire to break the current power of the Left and return society to basic virtue and the opportunity for human flourishing. Ideology, especially utopian ideology, is not only seductive and gives apparent meaning and simplicity; it is also an effective way to organize people and power. Merely offering a better life not crushed by the Left does not move men’s souls in the same way. Very few will die on the barricades for Russell Kirk. We see stirrings of a Right ideological movement, attractive as always to aimless young men, in groups like Gavin McInnes’s Proud Boys. It’s amusing to see the evil and terroristic Antifa get beat up, as they deserve, but it’s not a good sign for the future. Writ large, ultimately such movements, or rather their successors, can lead to the same type of behavior that Browning expertly narrates. Thus, reading this book, and listening to people like Jordan Peterson, may serve as a form of inoculation against such a dystopian future. All young men should be required to read it. For some, like Antifa, it will be taken as a how-to guide, but for others, it may dampen the wars to come.

This was a tough book to read and then to put down. There is much about this history that we do not learn from at our peril, again and again. Evil and its causes reman open to debate but the ability of average people to partake in such evil was and is frightening.

An important and thought provoking book. Very meticulous in researching the topic. Got me thinking for a long time about the inconceivable contrast between the characteristics of these "Ordinary Men" and the atrocities they carried out. Inconceivable! Unforgivable!

Good. Informative and well laid out to be understood. Should be a must read for all teenagers to see the reality of life which can occur..Well researched.

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